Paradise Kiss (パラダイス・キス Paradaisu Kisu?), abbreviated to "ParaKiss" by fans, is a 5 volume manga series, originally published in Shodensha's Zipper magazine, which has been adapted into a 12 episode anime series, produced by Aniplex and Studio Madhouse, and which was aired in Japan on Fuji TV's Noitamina programming block and on the anime television network, Animax, who have broadcast the series across its respective networks worldwide, including Japan, Southeast Asia and East Asia.


Written by popular mangaka Ai Yazawa, Paradise Kiss is the semi-sequel to her previous work, Gokinjo Monogatari, as several characters from that series are given cameos. This comic is widely read not only in Japan, but in many countries around the world. The Paradise Kiss manga has been translated from Japanese to at least ten different languages, Vietnamese, Chinese (Taiwan and Hong Kong), Korean, French, Italian, Polish, Thai, German, Spanish, Portuguese and English. The English version is published by TOKYOPOP.

Characters



Yukari "Caroline" Hayasaka (早坂紫 Hayasaka Yukari?)
Yukari is the heroine of the story, a high school student who is tired of the meaningless and repetitive life that has been forced upon her by her uptight mother. She eventually models for Paradise Kiss after being "kidnapped" by Isabella and whisked away to Paradise Kiss' "atelier". She is often referred to, inexplicably, as "Caroline" by Miwako.
Yukari begins the series as a pretty faced, yet rather unattractive in personality, high school senior that studies dutifully for university entrance exams. When she meets the ParaKiss crew, she begins to discover new depth to her personality and life. Her passionate and sometimes destructive relationship with George is key to this self-discovery. Yukari is competitive, quick to blame others, and desperately wants to experience more; George often points out the flaws in her personality, but admits that he finds them alluring, claiming that she was "born into this world to drive [him] crazy." At the end of the series Yukari ends up marrying her former classmate, Hiroyuki. (Although this is revealed during the last volume of the manga, the last episode of the series only hints at their marriage.)


Jōji "George" Koizumi (小泉譲二 Koizumi Jōji?)
George is an eccentric, handsome, and extremely charismatic student of Yazagaku who has extraordinary talent with a gift for fashion design, haute couture in particular. Despite his cold demeanor, he has extravagant ideas on everything, most of which are not accepted by the general public. He wants Yukari to become an independent woman, as well as a girl that will take responsibility for her own mistakes. He considers himself bisexual, or as he says, "an equal opportunity lover"; he also makes constant reference to how good he is with knots, and offers to tie people up repeatedly. His appearance is loosely based on Brian Slade of Velvet Goldmine, and several references to the film are made by him in the manga. He has distinctive blue hair and eyes, making Yukari humorously question if he is an alien. George can come off as cold and manipulative--Arashi warns Yukari that he is "not a man that will make a woman happy"--but he deeply cares for Yukari. George is the one to steal Yukari's virginity[vague], even mocking her for it during sex. The lifestyle that he lives is top-notch; he lives in a loft apartment and drives a vintage Jaguar, but because his mother was merely a mistress, he rarely sees his father. Regardless, his mother dryly complains that he looks and acts just like him. At the end of the series, it is shown that he has designed the costumes for a Broadway show. He is 18 years old.

Miwako Sakurada (櫻田実和子 Sakurada Miwako?)
A student of Yazagaku who works with George to run their own brand, Paradise Kiss. She is the younger sister of the Happy Berry brand's creator/president, Mikako Kouda, who is the protagonist in Ai Yazawa's Gokinjo Monogatari work. She is exceptionally sweet and cute. Miwako tends to act in a rather childlike manner, both in her Lolita style dress and unique vocabulary. Because of Miwako's endearing personality she is adored by many of the characters and is considered Yukari's bestfriend. She was the center of a long lasting love triangle involving her two childhood friends Arashi Nagase and Hiroyuki Tokumori but eventually chose Arashi in the end. It's revealed that she loved both of them equally the same but was dating Arashi at the time and because Arashi threatened to break up with her if she didn't break off her connections with Hiroyuki he would dump her. Ever since Miwako has always guilted over the fact that she had hurt Hiroyuki but loves Arashi dearly. In the last volume it is mentioned that Miwako and Arashi married and had a daughter who looks like Arashi appearance wise.

Arashi Nagase (永瀬嵐 Nagase Arashi?)
Arashi is a student of Yazagaku with a taste for punk style, piercings, and alternative music. He is Miwako's boyfriend, they have both known each other--along with Hiroyuki Tokumori--from childhood. Miwako later reveals that she "chose" Arashi over Hiroyuki when the three of them began high school. It is revealed that Arashi can get very jealous whenever it involves Miwako and Hiroyuki. In order to make her more 'his' Arashi foribly made Miwako have sex with him but deeply regretted it later and was relieved that Miwako had forgiven him, however, he has always been hesitant and careful around her from that point on. During a talk with Hiroyuki, he (Arashi) is very aware that Miwako had feelings for Hiroyuki and is insecure about his (Arashi) own relatinship with Miwako, believing he wasn't making her as happy if she were to be with Hiroyuki. He is then by Hiroyuki to not underestimate Miwako's deep love for Arashi and to trust her more. Even though Arashi has a generally cynical, sometimes abrasive personality, he does care deeply about those around him. When the members of ParaKiss engage in outrageous behavior, Arashi is usually the voice of reason. He is the son of a musician, Kanzaki Risa, who is a good friend of Mikako Kouda. (Both characters appear in Gokinjo Monogatari.)Arashi and Miwako eventually marry and have a daughter who looks much like Arashi (to which Hiroyuki believes would look cuter if she had looked like Miwako instead).

Daisuke "Isabella" Yamamoto (山本大助 Yamamoto Daisuke?)
Isabella is the mother figure to the members of ParaKiss. This tall Yazagaku student is the epitome of high class and femininity. Isabella inspired George's very first dress during childhood, and often had the habit of taking every piece of clothing that he finished. Isabella encourages Yukari when she needs it the most, whether it be regarding George or her abandoned studies. Notably, Isabella is a transgender woman, and she is mortified when anyone refers to her as 'Daisuke', her birth name.

Hiroyuki Tokumori (徳森浩行 Tokumori Hiroyuki?)
Yukari's classmate, an intelligent and handsome young man who happens to be the object of Yukari's affections at the beginning of the story. Hiroyuki was once in love with Miwako, but Arashi forbade her from seeing him. He gives advice to Arashi on how to come to terms with his feelings for Miwako and his past actions and soon after the three of them are seen as friends once more just like when they were children. He eventually falls for Yukari, who foolishly assumed that he'd never date a girl like her. The two later marry. Son of Gokinjo Monogatari character.


Kaori Asō (麻生香 Asō Kaori?)
A former Yazagaku student who is now studying abroad. She has romantic feelings for her old friend George, but knows that he is not the type to make a woman happy.

Alice Yamaguchi (山口アリス 'Yamaguchi Arisu?)
Miwako's niece. She is in third grade, and just as perky as Miwako. In the anime, she only makes a brief appearance. Alice has the same eyes as Tsutomu.


Anime


Produced by Madhouse Studios, the Paradise Kiss anime series began airing on October 10, 2005. Some well-known personages are staffed on the production of the Paradise Kiss series including director Osamu Kobayashi and Nobuteru Yūki, character designer and animation director for the opening sequence. It has been aired by the anime television network, Animax across its respective networks worldwide, including Japan, as well as Southeast Asia and East Asia, where the series received its first ever international broadcasts. The anime was licensed for release in North America by Geneon Entertainment. On July 3, 2008, Geneon Entertainment and Funimation Entertainment announced an agreement to distribute select titles in North America. While Geneon Entertainment will still retain the license, Funimation Entertainment will assume exclusive rights to the manufacturing, marketing, sales and distribution of select titles. Paradise Kiss was one of several titles involved in the deal.


MY REVIEW



Paradise Kiss is an anime aimed at the shoujo audience, but what sets this anime apart from all other shoujo anime is it's unique characterisation and atypical storyline.

Story - 9
Paradise Kiss is a short anime about how a young 18 year old girl's life is changed completely when a group of fashion design students kidnap her off the street to model their dress for a school fashion show. The main female protagonist falls in love with the main male protagonist and a love story is revealed. What sets this anime aside from the rest of the 'typical shoujo/romance' anime is that the relationship between the two are not as simple as it seems. The story itself has a realistic element to it making it more suitable for a mature audience rather than what the word shoujo literally implies.

Art - 10
Personally, i love Ai Yazawa's artwork, the setting was drawn realistically to compliment the whole aspect of a realistic life and story. I was surprised to see how everything was drawn perfectly, the anime itself felt like one from 2007/08 rather than 2005.
The characters were perfect, nothing was really out of place, the males did not look over glamourous nor did the females look over pitiful. The whole urbanised setting gave the anime and overal fashionable and trendy feel to it. The only flaw i could notice was the characters looked odd when they were far away but when they were close up, every detail could be shown.

Sound - 9
The OP and ED were catchy songs and suited the anime well, it created a funky feel to the anime and the way the opening was brought in for each episode really made the song a part of the anime rather than your general opening you have for every anime. The anime lacked BGM at times, but for this anime, having less of it was much more suitable.

Character - 10

The characters were definately one of this anime's strong points, almost the whole story revolves around the basis of clashing characters working together and becoming friends (or more than friends even). It also shows how one person can change another's outlook on life and their personality. Ai Yazawa is successful in showing how Yukari's whole life changes in a very short amount of time purely by making friends with the "bad crowd" and realising her ambitions.

Enjoyment - 9

If you've watched NANA, then Paradise Kiss doesn't stray too far from the basic concepts in NANA. The whole mature, real life drama is what makes Paradise Kiss enjoyable. If you're looking for a short, sweet, drama-filled, not-your-typical-shoujo anime then i'd highly recommend you give Paradise Kiss a try.


External Link:

Paradise Kiss Official site from Tokyopop

Paradise Kiss Official site from Zipper magazine (Japanese), (English)

Paradise Kiss Anime official website (Japanese)

Paradise Kiss Official site from Fuji TV (Japanese)

Paradise Kiss Official site from Aniplex (Japanese)

Paradise Kiss Gallery





AMR: NANA




Nana (ナナ?) is a Japanese shoujo manga series written and illustrated by Ai Yazawa, serialised in Cookie published by Shueisha. There is an anime adaptation, as well as two live-action films. The first twelve volumes of the manga series have cumulatively sold over 22 million copies. As in 2005, it has sold over 34,500,000 making it the fourth best selling shōjo manga worldwide. The manga derives its title from the name of the two main characters, both of whom are called Nana. What sets them apart, however, is the stark difference between their lives. One Nana comes from a small town, following along with her friends and boyfriend to Tokyo with the hope of having the dream life that she wishes for. The other Nana, on the other side, comes to Tokyo with the goal of making it big with her band, Black Stones. The two Nanas are brought together in what has become a major success for Ai Yazawa and the shōjo genre.

In June 2009, the series was put on hiatus as Yazawa became ill and unable to work. It is unknown when it will return, but the hiatus is expected to last several months.


Plot synopsis



Nana Osaki is a punk singer who wants to debut with her band Black Stones (BLAST for short). Nana was the lead vocalist in their old band with her boyfriend, Ren, and they lived together as lovers since she was 16. When Ren was offered a chance to debut in Tokyo as a replacement member of the popular band Trapnest (Toranesu in Japanese), Nana chose to cultivate her own band after Ren left her and Black Stones for Trapnest. Having too much pride to simply follow Ren to Tokyo and happily be a rockstar's girlfriend, she stayed behind. She leaves for Tokyo at the age of twenty, and to start her musical career.

Nana Komatsu, the other Nana, is called with the nickname Hachi (after Hachikō) as she has weak mental characteristics that resemble a puppy. With a habit of falling in love at first sight all the time, Hachi has always depended on other people to help her. When her friends and then boyfriend leave for Tokyo, she decides to join them a year later after having saved enough money at the age of twenty.

Nana and Hachi meet in a train by chance, both on their way to Tokyo. After a string of coincidences, they come to live together in an apartment numbered 707. Despite having contrasting characters and ideals, the Nanas like and respect each other.

While the Black Stones begin to gain popularity at live gigs, other issues need resolving, especially in the areas of romance. The story of Nana revolves heavily on the romance and relationships of the two characters as one seeks fame and recognition while the other seeks love and happiness.

Sharing the same name, they support each other through each of their love lives and careers.

Characters


Nana Osaki (大崎 ナナ)
One of the titular characters of the series, Osaki Nana may look like a tough punk rocker, but she has a kind heart and is a devoted friend. Abandoned by her parents and raised by her grandmother, Nana was expelled from high school after she was falsely accused of prostitution. Despite these hardships, Nana "polishes the shards of her dreams" and is determined to be successful as the lead vocalist of Blast. She is now engaged to her first love, Ren, although she also has lingering, ambiguous feelings for Yasu. Nana's favourite things never change. Her favorite designer is Vivienne Westwood, and her favorite band is the Sex Pistols. She smokes Seven Stars and likes coffee with milk and strawberry cake. She also has the ability to cook, but prepares all her food with too much salt which only Ren seems to enjoy.


Nana Komatsu (小松 奈々)
Name: Nana Komatsu
Occupation: Misc, housewife
Gender: Female
Born: November 30, 1980
Height: 158 cm
Weight: 46 kg
Family: Mother (Natsuko), Father, Older sister Nao, younger sister Nami


Komatsu came to Tokyo, looking to find her dream. Unlike Osaki, Komatsu came from a large and happy household, though her childish outlook prevented her from living on her own initially. She's the middle child of three sisters.

Her chance encounter with Osaki began a friendship which changes Komatsu's life forever. She is introduced to Osaki's band, Black Stones, and their members. She later even helps "Blast" to find their bassist, by drawing a poster to advertise the vacancy. Much to her surprise, she also discovers that the members of Blast were friends with the members of Trapnest, a popular rock band of which she's a very big fan.


Ren Honjo (本城蓮)
Blast's former bassist, Ren is actually Trapnest's guitarist. He is very popular and his music is well-received by fans. He and Nana Osaki were once in a relationship. Ren is a big fan of the Sex Pistols; he participated in a tribute album to them, and wears a "Sid Vicious" padlock around his neck that he received from Nana. Nana had an image of a lotus tattooed on her upper arm in honor of him ("Ren" is a Japanese name for lotus). The brand of the cigarettes he originally smoked was the 'Seven Stars'.

Takumi Ichinose (一ノ瀬巧)
he leader and bassist of Trapnest. He is quite handsome and has a reputation of being a playboy. Despite his raw sexual charisma, Takumi can also be a cold and controlling workaholic. His favorite brand of cigarettes is Gitanes.

FILM



Nana has been made into a film which was released on September 3, 2005. The film stars Mika Nakashima as the punk star Nana Osaki, and Aoi Miyazaki as Hachi (Nana Komatsu). The DVD edition was released on March 3, 2006. The film did quite well at the Japanese box office, grossing more than 4 billion yen, staying in the top 10 for several weeks.

Main cast
Nana Osaki: Mika Nakashima
Nana Komatsu (Hachi): Aoi Miyazaki

Theme songs
In addition to creating a Nana craze throughout Asia, the film also helped launch Mika Nakashima to the peak of her career as she released the single "Glamorous Sky" under the name Nana starring Mika Nakashima. The single created topicality with its special collaboration between Nakashima, Hyde (who wrote the song), and Nana author Yazawa Ai (who wrote the lyrics). The single became Nakashima's first number one single on the Oricon Charts.

The film also helped promote another artist, Yuna Ito, who starred in the film as Trapnest vocal Reira, released her debut single "Endless Story," the insert song of the film, under the name Reira starring Yuna Ito. The single ranked second on the Oricon charts, next to Nakashima's "Glamorous Sky," and made Yuna Ito one of the most successful debuting artists of 2005.


My review:



One of the things I like to see the most in anime is how they portray relationships. I’m a sucker for romance, but I hate the cheesy stuff you usually see in typical shoujo anime. Sometimes you’ll find an anime with realistic characters, with the typical flaws of human nature, and usually people love them. We can identify with them. Like in Evangelion many people who have dealt with depression could identify with Shinji (in some levels…).

I watch Anime NANA and Read NANA manga basically because of the recommendation from my lovely sister..

she told me that this is one of anime that she love.. and because as long I know, she have a good taste of Anime.. and because she looks really admire Nana Osaki (one of main character in NANA). so I try to look forward some times to watching this anime and reading the manga (it's really sad to know that Nana manga havent been finished yet.. :( )


Recently, I finally sat down and watched “Paradise Kiss”. It’s a short (12 episodes) anime that, to make it short, is about relationships and growing up. I was impressed by its maturity. The art style took a while to get used to, but afterwards I loved it. After watching it, I decided to watch “Nana”, which is by the same author and deals with similar issues.

Synopsis:
“On board the train to Tokyo to meet her boyfriend Shoji, Nana Komatsu ("Hachi") happened to sit beside Nana Osaki who was traveling to Tokyo to fulfill her dreams of becoming a musician. The vocalist for her punk band "Blast", Nana aims for a major debut for "Blast" in Tokyo where her boyfriend, Ren, is the guitarist for a popular band "Trapnest". Sharing the same name "Nana", both girls quickly form a bond of friendship. Their paths cross again when they encounter each other while searching for accommodation in Tokyo. Eventually they decide to live together in the same unit and this further strengthens their bond as the two "Nana(s)" go through their love lives and career.” 



Story (10/10)

I almost have no words to express how it made me feel. It’s amazing. Incredibly realistic and moving. I started watching it without knowing a thing about it (not even synopsis), though the title “Nana” sounded familiar as something popular among anime fans.
The anime was broadcasted in 2006, lasting 47 episodes, but the manga first came out in Japan in 2000 and is still ongoing.

The concept itself isn’t anything too extraordinary. People living together, people falling in and out of love, people trying to make it in showbiz and other stuff.
You could say it blends many overused ideas, then twists them around and reinvents them, transforming itself into a completely original and brilliant idea. And it contains romance, drama and comedy, but the transition between them is really well done, so it doesn’t feel weird.

What really makes “Nana” shine is the incredible character development. The evolution of each character’s personality and relationships with other characters. The things we watch them go through seem so real, like we’d probably make the same mistakes and choices as they did.
No one is perfect – that’s a fact. We often think to ourselves “If I was [him], I wouldn’t have made that choice”, but the truth is we are lying to ourselves. We are insecure, emotional beings, that often ignore rational thought and make reckless decisions. “Nana” is so realistic that it’ll blow your mind away.

This is a long series, but it’s not hard to watch. In the first episodes, the action often switches between the actual time and many flashbacks, but they really are important to understand a character’s background. At some point you might get the feeling that they’re repeating the flashbacks, but don’t worry. This isn’t a filler-filled series.

In the end I felt that the story was really well told. But they leave you in a sort of cliffhanger… because the manga isn’t finished yet. But they made it more than obvious that at some point there’ll be a second season of Nana, so don’t worry. In fact, I loved watching this and the way it ended wasn’t too frustrating because I’d just experienced an awesome series.

Visuals (8/10)

The way the characters look might be a little hard to get used to (at least imo), but I really like the art style. I don’t think there’s anything too impressive or revolutionary about the visuals here… which is a good thing. I think the plot alone would be enough to hold the audience and maybe if they’d done something too extravagant visually (*cough* Air *cough*) the viewer would get sidetracked from the story itself. I think the animation was very fitting for the anime.

The animation studio is Madhouse, which was also responsible for “Beck”, “CardCaptor Sakura”, “Paradise Kiss”, “Death Note” and a bunch of others.

Audio (9/10)

I watched the episodes with the original Japanese voice actors and English subtitles. As for the actors, I think they were perfect for their roles. KAORI gave her voice to Nana “Hachi”, which suited the character perfectly with the childish and girlish tone (but thankfully not an annoying high-pitched voice). For the tough rock singer Nana Osaki we have Romi Paku, who also voiced Edward Elric in Full Metal Alchemist. They knew that “Nana” would be an instant success, so they gave it a cast of famous actors and spared no expense.


At first this seems like an anime about music, but it doesn’t play that much of a part here. I mean, we hear lots of songs, but the story isn’t focused on showing us the making of the songs in detail. Compared to “Gravitation” or “Full Moon wo Sagashite”, music wasn’t as important here.

I loved the songs. The fictional bands’ songs are used as openings and endings. OLIVIA is the singing voice of Reira, and we hear many songs from her. My favourite was “A little pain”. It was the first Ending, and since each episode ended on a relatively sad tone, the song fit perfectly. When I heard the first words of the lyrics (“Travel to the moon…”) it almost made me want to cry.

Characters (10/10)

As I’ve mentioned, the characters are the best thing about the anime. We get the chance to know a bit about each character’s history, motivations, thoughts and desires. They are so realistic that we just can’t help but being sucked in by them.

As the anime progresses, the characters gradually grow. This is a very “slice of life” genre of anime, so we watch them growing up. I love how they all interact and deal with their decisions. I love how they aren’t perfect… but as flawed as humans should be.

Overall (10/10)

I loved this anime and it will definitely become one of my favorite series of all time. I feel like watching it again and again, but since it is 47 episodes long and makes me very emotional, maybe it’ll have to wait until I have more time.

I don’t feel like reading the manga for the sole reason that it is too damn long. If it weren’t for that, I would have already ordered all the volumes. But I gained new respect for the mangaka Ai Yazawa.

There are 2 live-action movies for “Nana”. I haven’t watched them yet, but will soon. I’m curious as to how they squeezed all that plot into 2 movies (I’d say they have enough material to make a whole 11 episode drama or maybe something even longer). 


All in all, NANA is one of the best series I have ever watched and absolutely the best in its genre, I am planning to watch it again right after the news of it getting a second season^^ It is a must-see anime, definitely recommended...




External links:

Official websites

Nana Online
The Manga website
The Anime website
The Tribute Album website

English
Shojo Beat

Unofficial websites
NANA (anime) at Anime News Network's Encyclopedia
NANA (manga) at Anime News Network's Encyclopedia
Nana-Nana.net, a Movie Fansite
NANA Fansite






Rurouni Kenshin: Meiji Swordsman Romantic Story (るろうに剣心 明治剣客浪漫譚 Rurō ni Kenshin Meiji Kenkaku Romantan?), also known as Rurouni Kenshin and Samurai X, is a Japanese manga series written and illustrated by Nobuhiro Watsuki. The fictional setting takes place during the early Meiji period in Japan. The story is about a fictional assassin named Himura Kenshin, from the Bakumatsu who becomes a wanderer to protect the people of Japan. Watsuki wrote this series upon his desire of making a shōnen manga different from the other ones that were published in that time, with Kenshin being a former assassin and the story taking a more serious tone as it continued. Although the tragic tone was highly expanded as the manga advanced, Watsuki became determined to give it a happy ending as it was aimed at teenagers.

The manga initially appeared in Shueisha's Weekly Shōnen Jump from September 2, 1994, to November 4, 1999. The complete work consists of 28 tankōbon volumes, while years later it was reprinted into twenty-two kanzenban volumes. Studio Gallop, Studio Deen and SPE Visual Works adapted the manga into an anime series which aired in Japan from January 10, 1996 to September 8, 1998. Besides an animated film, two series of original video animations (OVAs) were also produced. The first adapted stories from the manga that were not featured in the anime, while the second was also a sequel of the manga. Writer Kaoru Shizuka has authored three official Rurouni Kenshin light novels which were published by Shueisha. Several video games have also been released for the PlayStation and PlayStation 2 consoles.

The United States release of the manga has been completed by Viz Media. Rurouni Kenshin is subtitled "Wandering Samurai" in some English releases, as a rough translation of "Rurō ni" (流浪に lit. "Wandering"?). The TV series later licensed in North America and released on DVD by Media Blasters. The first two seasons aired on the United States Cartoon Network as a part of the Toonami Block, while the third season was only featured in DVD . The English-language versions of the OVAs as well the film is released as Samurai X, although the original title was included in the DVD releases. The first light novel has been translated by Viz and distributed in the United States and Canada. None of the video games of the series have been released in North America.

The series has been highly popular in Japan, the United States and Europe. The manga has sold over 47 million copies in Japan as of 2007 while the anime has ranked between the 100 most watched series in Japan multiple times. The anime and manga have received praise and criticism from various publications for anime, manga and other media, with both having received good response on the characters' designs and the historical setting. The OVAs have also received praise due to their animation and music.

Story:

The story of Rurouni Kenshin takes place during the early Meiji era in Japan. It tells the story of a peaceful wanderer named Himura Kenshin, formerly known as the assassin "Hitokiri Battōsai". After participating during the Bakumatsu war, Kenshin wanders the countryside of Japan offering protection and aid to those in need as atonement for the murders he once committed as an assassin. When arriving in Tokyo in the 11th year of Meiji (1878), he meets a young woman named Kamiya Kaoru, who was in the middle of a fight with a murderer who claims to be the Hitokiri Battōsai from her swordmanship school. Kenshin decides to help her and defeats the fake Battōsai. After discovering that Kenshin is the real Battōsai, she offers him a place stay at her dojo as she notes Kenshin is a gentle person instead. kenshin accepts and begins to establish lifelong relationships with many people such as Sagara Sanosuke, a former Sekihō Army member; Myōjin Yahiko, an orphan from a samurai family; and a doctor named Takani Megumi. However, he also deals with his fair share of enemies, new and old, including his rival from the Bakumatsu Saitō Hajime and the former leader from the Oniwabanshū, Shinomori Aoshi.

After several months of living in the dojo, Kenshin discovers that his successor as assassin of the shadows, Shishio Makoto, plans to conquer Japan by destroying the Meiji Government, starting with Kyoto. Feeling that his friends may be attacked by Shishio's faction, Kenshin goes to meet Shishio alone in order to defeat him. However, many of his friends, including a young Oniwabanshū named Makimachi Misao, decide to help him in his fight. He decides to accept their help and defeats Shishio in a fight, who dies in the process due to the rise in body temperature caused by his burns. The anime adapts the manga until this part, later featuring new story arcs which were not featured in the manga.

When Kenshin and his friends return to Tokyo, Kenshin finds Yukishiro Enishi, who plans to take revenge by killing his friends. At this point it is revealed that, during the Bakumatsu, Kenshin used to be married to a woman called Yukishiro Tomoe, who initially wanted to avenge the death of her fiancé, whom Kenshin had killed, but instead both fell in love and got married. When it was discovered that Tomoe was part of a group of assassins that wanted to kill Kenshin, Kenshin blindly swings his sword, killing both his assailant and Tomoe, who jumps in at the last minute to save Kenshin from a fatal attack. Wanting to take revenge for the death of his sister, Enishi kidnaps Kaoru and leaves behind a tortured figure bearing a stunning resemblance of the girl for Kenshin to find and momentarily grieve over. Once discovering that Kaoru is alive, Kenshin and his friends set to rescue her. A battle between Kenshin and Enishi follows and when Kenshin wins, he and Kaoru return home. Five years later, Kenshin has found true peace; he is married to Kaoru and has a son named Himura Kenji.


PRODUCTION



A prototype series titled Rurouni, Meiji Swordsman Romantic Story first appeared as a pair of separate short stories published in 1992 and 1993 in the manga magazine Weekly Shōnen Jump Special. The first story featured an earlier version of Kenshin stopping a crime lord from taking over the Kamiya family dojo. Watsuki described the first Rurouni story, echoing the "Megumi Arc," as a "pilot" for Rurouni Kenshin. According to Watsuki, the final Rurouni Kenshin series did not being entirely from his free will. Describing the creation of historical stories as "hard," Watsuki initially wanted to make his next series in a contemporary setting. An editor approached Watsuki and asked him to make a new historical story. With the historic concept, Watsuki intended to use the Bakumatsu time period from Moeyo Ken (Burn, O Sword) with a story akin to Sugata Sanshirō. Watsuki experimented with various titles, including Nishin (Two-Hearts) Kenshin, Yorozuya (Jack-of-All-Trades) Kenshin, and variations of "Rurouni" and "Kenshin" with different kanji in that order.

The second Rurouni story, released one half of a year after the first story, features Kenshin helping a wealthy girl named Raikōji Chizuru. Watsuki recalled experiencing difficulty when condensing "everything" into 31 pages for the first Romantic Swordsman story. He said that he "put all my soul into it" but sighs when looking at the story from his perspective after the publication of the Rurouni Kenshin Volume 1 graphic novel in Japan. Watsuki describes the first Rurouni: Meiji Swordsman Romantic Story as receiving mediocre reviews and about two hundred letters. Watsuki described the second Rurouni as a "side story."


During his childhood, Watsuki used to practice kendo which influenced him in the making from the series. Although, Watsuki developed various one-shots prior to the official serialization from the series, he mentioned he based the series from Crescent Moon in the Warring States, a story which introduced Kenshin's fighting style and his teacher. While naming the characters, he based some of their names from places he used to live such as Makimachi Misao's "Makimachi" and Sanjō Tsubame, who are named after places from Niigata.

Being fascinated by the Shinsengumi, Watsuki designed the characters by basing their characteristics to that of the real Shinsengumi members and also used fictional representation of them and other historical characters from the Bakumatsu period of Japan. The historical characters were considered to be a hard task by Watsuki. Due to problems with the characterization from Sagara Sōzō, Watsuki decided to illustrate Saitō Hajime in own style avoiding the historical figure. He felt very good with Saitō's character having noted he fit very well in the manga. However, Watsuki mentioned that many Japanese fans of the Shinsengumi complained about the personality of Saitō, as he was made sadistic.

When questioned about the series' theme being Kenshin's self-redemption, Watsuki mentioned that when he was young he used to read shōjo and that it influenced in the story from Rurouni Kenshin. He added that he wanted to make a story different from other comics as he considers the main character [Himura Kenshin] is neither a good or evil character. Since volume 7, Watsuki mentioned the series took a more adult tone due to the various conflicts in the story, but commented it was influenced by the shōjo manga he read. Through the series' development, Watsuki was deciding if Kamiya Kaoru's character was going to die prior to the end. However, he later decided to keep Kaoru alive as he came to the conclusion he wanted a happy ending and that the manga is aimed to young readers.


When the manga series started to be published in Weekly Shōnen Jump, Watsuki had little hope in the development of the series. He planned to finish the story in approximately 30 chapters, ending with Kenshin's departure from Tokyo in a similar manner to the one from volume 7. Kenshin's enemies would have been people from Kyoto who would send an assassin to kill Kenshin. When the Oniwabanshu were introduced during the serialization, Watsuki noted that the series could be longer as he had created various main characters. In that time, there was a survey, and the series had become very popular.

When the series reached seven volumes, Watsuki's boss suggested him that it was time to make a longer story-arc, which resulted in the creation of the fights between Kenshin and Shishio Makoto. The arc was only meant to be serialized for one year, but it being being one year and a half long. This arc was also done to develop Kenshin's character as he considered him not to have a weak point. Watsuki commented that his artistic skill were homed with this arc, as he could draw everything he wanted to. The last arc from the manga was meant to be much shorter, but it turned out to be a fairly long one as he could not present in a simplistic manner. This arc was originally made by Watsuki prior to the series' start, having already thought about how would Kenshin's scar had been made. Watsuki also planned to create a Hokkaido arc and a sequel, but felt it would be better to start with another manga and so ended the series with the last arc he made.

In a manga volume prior to the release of the anime, Watsuki said that while some fans might object to the adaptation of the series into anime, Watsuki looked forward to the adaptation and felt it would work since the manga was already "anime-esque." He had some worries about the series since he felt since the creation of the series was sudden and the series had a "tight" production schedule. In another note in the same volume Watsuki added that he had little input in the series, as he was too busy with the publishing. In addition his schedule did not match the schedule of the anime production staff. Watsuki said that it would be impossible to make the anime and manga exactly the same, so he would feel fine with the anime adaptation as long as it took advantage of the strengths of an anime format.


After the anime began production, Watsuki said that the final product was "better than imagined" and that it was created with the "pride and soul of professionals." Watsuki criticized the timing, the "off-the-wall, embarassing subtitles," and the condensing of the stories; for instance he felt the Jin-e storyline would not sufficiently fit two episodes. Watsuki said that he consulted a director and that he felt the anime would improve after that point. The fact that the CD book voice actors, especially Megumi Ogata and Tomokazu Seki, who portrayed Kenshin and Sanosuke in the CD books, respectively, did not get their corresponding roles in the anime disappointed Watsuki. Watsuki reported receiving some letters of protest against the voice actor change and letters requesting that Ogata portray Seta Sōjirō; Watsuki said that he wanted Ogata to play Misao and that Ogata would likely find "stubborn girl" roles more challenging than the "pretty boy" roles she usually gets, though Watsuki felt Ogata would have "no problem" portraying a "stubborn girl." Watsuki said that the new voice actor arrangement "works out" and that he hoped that the CD book voice actors would find roles in the anime. Watsuki said that the reason why the CD book voice actors did not get the corresponding roles in the anime was due to the fact that many more companies were involved in the production of the anime than the production of the CD books, and therefore the "industry power-structure" affected the series.

The second series of the TV anime had some original stories not in the manga. Watsuki said that some people disliked "TV originals," but to him the concept was "exciting". Watsuki said that because the first half of the original storyline that existed by the time of the production of Volume 10 in Japan was "jammed" into the first series, he looked forward to a "more entertaining" second series. Watsuki added that it was obvious that the staff of the first series "put their hearts and souls" into the work, but that the second series will be "a much better stage for their talents."

MANGA



Written and drawn by Nobuhiro Watsuki, the first chapter of Rurouni Kenshin premiered in Weekly Shōnen Jump in 1994 and was serialized in the magazine until 1999. The 255 individual chapters were collected and published in 28 tankōbon volumes by Shueisha,
with the first volume released on September 9, 1994 and the last on November 4, 1999. In July 2006, Shueisha began re-releasing the series in a twenty-two kanzenban special edition volumes. A single chapter follow up to the series that follows the character of Yahiko Myōjin, Yahiko no Sakabatō (弥彦の逆刃刀 ("Yahiko's Reversed-Edge Sword")?), was originally published in Weekly Shōnen Jump after the conclusion of the series. Left out of the original volumes, it was added as an extra to the final kanzenban release.

Rurouni Kenshin was licensed for an English language release in North America by Viz Media. The first volume of the series was released on October 7, 2003. Although the first volumes were published on a irregular basis, since volume 7 Viz established a monthly basis due to good sales and consumer demands. Therefore, the following volumes were published until July 5, 2006, when the final volume was published.Yahiko no Sakabatō was also serialized in Shonen Jump during 2006. In January 2008, Viz began re-releasing the manga in a wideban format called "VIZBIG Edition", which is a collection of three volumes in one. Viz uses the actual ordering of Japanese names, with the family name or surname before the given name, within the series to reduce confusion and because Rurouni Kenshin is a historical series.

ANIME




The anime, directed by Kazuhiro Furuhashi, began airing on Japan's Fuji TV on January 10, 1996 and ended on September 8, 1998. It was produced by Aniplex and Fuji TV, and was animated from episode 1 to 70 by Studio Gallop, whereas the episodes from 70 onwards were animated by Studio Deen. The final episode, episode 95, did not air in Japan, but was a bonus episode for the VHS and DVD releases. Since its premier of Japan, episodes from the series have been collected in DVDs various times: two DVDs series with both of them featuring four episodes per volume and three DVD boxes.

In 1999 Sony tried and failed to market the series in the United States as Samurai X via an existing company. The TV series was later licensed in North America and released on DVD by Media Blasters. It started airing in the US on the Cartoon Network as a part of the Toonami Block on March 17, 2003, but ended at the completion of the Season 2. Episodes 63-95 did not air, but were included in the DVD release. The twenty-two English DVDs from the series were released from July 18, 2000 to September 24, 2002. Each of them contain four episodes except for the volume 22 which contains five episodes. The seasons were later released in three premium "Bento box" DVD boxes on November 18, 2003, March 30, 2004 and July 27, 2004. They were released again, but in new packaging as "economy box" sets on November 15, 2005, January 17, 2006 and February 14, 2006. Sony Pictures Television International created an English-language version of the series, titled Samurai X, that airs outside of the United States.

MOVIE

 

The series also has a movie called Samurai X: The Motion Picture, known in Japan as Ishin Shishi e no Requiem (―維新志士への鎮魂歌 Requiem for the Ishin Patriots?) which tells a story where Kenshin meets a samurai who was very close to a man Battosai murdered in the war. The samurai is trying to start a revolution to overthrow the Meiji government. The film was directed by Hatsuki Tsuji and it premiered in Japan on December 20, 1997. The Japanese DVD was released on August 21, 1998. It has been republished twice in 2000 and 2002, adding new content to the DVD. It was also released on December 7, 2005 on Universal Media Disc format. In North America, the film was released in DVD on March 27, 2001.




Original Video Animations


Main articles: Samurai X: Trust & Betrayal and Samurai X: Reflection

There are also two Rurouni Kenshin original video animation (OVA) series which have respectively four and two episodes. The first of them, Samurai X: Trust & Betrayal, collectively known in Japan as Tsuiokuhen (追憶編 Recollection?) and later edited into a movie as Samurai X: Trust & Betrayal -Director's Cut, was released in 1999 in Japan and in 2003 was collected into a two hour feature-length motion picture with new animated sequences and released in North America as a Director's Cut DVD. It is set during the downfall of the Tokugawa shogunate and during Kenshin's job as an assassin. The second OVA is Samurai X: Reflection, known in Japan as Seisōhen (星霜編 Time?) and later edited into a movie as Samurai X: Reflection -Director's Cut, composed of two episodes. The first episode was originally released on December 12, 2001 in Japan and the second on March 20, 2002. It is set both during and after the timeline of the series and tells of Kenshin and Kaoru's later years, much of which is not derived from the manga. It was later released in the United States by ADV Films in DVD in March 25, 2003, while a Director's Cut edition was later released.


Samurai X: Trust and Betrayal (Rurouni Kenshin Tsuiokuhen) is being setting In the days before the Japanese Revolution.. its a story about Hiko Seiijuro, a wandering master swordsman and hermit, encounters a bandit raid on a slave wagon. Hiko kills the raiding bandits in hopes of saving as many lives as possible, but only manages to spare one life from the massacre. Hiko leaves the child, advising him to go to the nearby village and have them take care of him. A few days later, as Hiko comes back to check upon the child he saved, he is shocked to see the child had created graves, both for the slaves he befriended and the bandits who killed them. Seeing potential in the young one, Hiko takes the child under his wing, names him Kenshin, meaning “heart of sword,” and teaches him about the art of swordsmanship under the Hiten Mitsuruugi Ryu.

Struggling in a constant challenge with his ideal beliefs reflecting against the harshness of reality, Tsuiokuhen tells the melancholic and dark story of Himura Kenshin as one of the most feared assassins of the Japanese Revolution: the Hitokiri Battousai.

Beside Samurai X: Reflection (Rurouni Kenshin: Seisouhen) is a story about Kaoru that goes to the harbor every day to see if Kenshin has returned. After a while, she starts looking back at her life with Kenshin and all the things that have happened. 


CDs

All of the series music was composed by Noriyuki Asakura and several CDs have been released by Sony Records. The first, Rurouni Kenshin OST 1 was released on April 1, 1996 and contained twenty-three songs that were used during the first episodes of the series. The second one, Rurouni Kenshin OST 2 - Departure was released on October 21, 1996 and contained fifteen tracks that were first used before the start of the Kyoto Arc. The next one, Rurouni Kenshin OST 3 - Journey to Kyoto was released on April 21, 1997 and contained the thirteen tracks that originally used in the Kyoto Arc. For the next arc, Rurouni Kenshin OST 4 - Let it Burn was released on February 1, 1998 and contained twelve tracks.

For the OVAs series, all themes were composed by Taku Iwasaki and the CDs were released by Sony Visual Works. The first, Rurouni Kenshin Tsuioku Hen OVA OST was released on March 20, 1999 and contained sixteen tracks that were used in Samurai X: Trust & Betrayal.[58] For the Reflection OVA a sondtrack called Rurouni Kenshin Seisō Hen OVA OST was released on January 23, 2002 and contained eighteen tracks.


Several compilations of the anime songs were also released in collection CDs. Thirty tracks were selected and joined in a CD called Rurouni Kenshin - The Director's Collection, that was released on July 21, 1997. Rurouni Kenshin Best Theme Collection was released on March 21, 1998 and contained ten tracks. All of the opening and ending themes were also collected in a CD called Rurouni Kenshin OP/ED Theme Collection. The Japanese voice actors of the series also composed songs that were released as two Cds Rurouni Kenshin Songs Album. All of the anime tracks, including OVAs and films tracks were collected in Rurouni Kenshin Complete CD-Box that was released on September 19, 2002. It contains the four TV OSTs, the two OVA OSTs, the movie OST, the two game OSTs, an opening & closing theme collection, and the two Character Songs albums.

Several drama CDs, which adapted stories in the Rurouni Kenshin manga, were also released in Japan. Each of them featured different voice actors from that one that worked in the anime adaptation. In Volume 5 of the manga Watsuki stated that he anticipated that the script of the third volume, which has the stories involving the character Udō Jin-e, would be "pretty close" but would have additional lines belonging to Sanosuke and Yahiko.

Art and guidebooks



Two encyclopedias of the Rurouni Kenshin manga were released in Japan. The first one, Rurouni Kenshin Profiles (原典?), was released first in Japan in July 4, 1996 by Shueisha and in the United States by Viz Media. Kenshin Kaden (剣心華伝?), released on December 15, 1999 includes the story Haru ni Sakura, which details the fates of all of the Rurouni Kenshin characters. The story takes place years after the manga's conclusion, when Kenshin and Kaoru have married and have a young son, Kenji. Many of the series' major characters who have befriended Kenshin reunite or otherwise reveal their current whereabouts with him in a spring picnic. For the anime, three Kenshin Zoushi artbook were published from 1997 to 1998. While the first two were based on the TV series, the third one was based on the film. The film one was named Ishin Shishi No Requiem Art Book which was released along with the movie. Additionally, it was released Rurouni-Art book that contianed images from the OVAs. A guidebook from the kanzenban imprint of the series was published on June 4, 2007.


Light novels


The Rurouni Kenshin light novels were originally from Shueisha's Jump j-Books. They were co-written by Kaoru Shizuka. Most of them are original stories which were later adapted in the anime. Others are adaptations of manga and anime stories. Only Volume 1 has been translated into English so far. The first novel, Rurouni Kenshin: Voyage to the Moon World, was published in Japan on October 10, 1996 and in North America on October 17, 2006. The second, Yahiko's Battle, was released on October 3, 1997. It retells various stories featured in the manga and anime series. The last novel is TV Anime Shimabara Arc which was published on February 4, 1999.


Video games



There are two Rurouni Kenshin games released for the PlayStation console. Neither game has made it out of Japan. The first, Rurouni Kenshin: Meiji Kenkaku Romantan: Ishin Gekitōhen (るろうに剣心 -明治剣ê58;浪漫譚- 維新激闘編?) was released on November 29, 1996. The game is a 3D fighter game with 5 playable characters, while the plot focuses in the first seven volumes from the manga. The second one, Rurouni Kenshin: Meiji Kenkaku Romantan: Jūyūshi Inbō Hen (るろうに剣心 -明治剣客浪漫譚- 十勇士陰謀編?) was released on December 18, 1997 and was re-released in the PlayStation The Best lineup on November 5, 1998. The game is a console role-playing game with a story unrelated to either the manga or anime.

Rurouni Kenshin: Meiji Kenkaku Romantan: Enjō! Kyōto Rinne (るろうに剣心 -明治剣客浪漫譚- 炎上!京都輪廻?) is the only video game for the PlayStation 2 console. Its Japanese release was slated at September 14, 2006. The game has sold over 130,000 copies in Japan.[80] Himura Kenshin also appeared in the 2006 Nintendo DS game Jump Ultimate Stars as a battle character, while others were support characters and help characters.



Reception


The manga has been highly popular with the original release having sold over 47 million copies in Japan as of 2007. Rurouni Kenshin also ranked at tenth place in the Web's Most Wanted 2005, ranking in the animation category. Volume 27 of the manga ranked second in the Viz Bookscan Top Ten during June 2006, while volume 21 and 20 ranked second and tenth, respectively, in the Top 10 Graphic Novels of Viz of 2005. Rurouni Kenshin volume 24 also ranked in 116th position in the USA Today's best selling book list for the week ending February 26, 2006. During the third quarter from 2003, Rurouni Kenshin ranked at the top of ICv2's Top 50 Manga Properties. In the same poll from 2005, it was featured at the top once again based on sales from English volumes during 2004. In the Top Ten Manga Properties from 2006 from the same site, it ranked ninth.

The manga has received praise and criticism from various publications. Mania Entertainment writer Megan Lavey found that the manga had a good balance between character development, comedy and action scenes. The artwork of Watsuki was to have improved as the series continued, noting that characters also had reactions during fights. Zac Bertschy from Anime News Network (ANN) praised the story from the manga, but noted that by volume 18 from the series, Watsuki started to repeated the same type of villains who were united to kill Kenshin. Although she praised Watsuki's characters, she commented that some of them needed needed some consistency due to various "bizarre" antagonists. IGN reviewer A.E. Sparrow liked the manga's ending, praising how the storylines are resolved, and how most of the supporting end up. He also praised the series' characters, remarking that Kenshin "belongs in any top ten of manga heroes."

When TV Asahi, a television network in Japan, conducted a nation-wide survey for the one hundred most popular animated television series, Rurouni Kenshin anime came in sixty-sixth place. They also conducted an online web poll, in which Rurouni Kenshin was placed at number 62. Nearly a year later, TV Asahi once again conducted an online poll for the top one hundred anime, and Rurouni Kenshin anime advanced in rank and came in twenty-sixth place. The fourth DVD of the anime was also Anime Castle's best selling DVD in October 2001. Rurouni Kenshin was also a finalist in the American Anime Awards in the category "Long Series" but lost against Fullmetal Alchemist.

The anime has also been commented on by Chris Shepard from ANN noting a well crafted plot and good action scenes. However, he also criticized that during the first episodes the fights never get quite interesting as it becomes a bit predictable that Kenshin is going to win as the music of moments of victory is repeated many times. However, Mark A. Grey from the same site mentioned that all those negatives points disappear during the Kyoto Arc due to amazing fights and a great soundtrack. Tasha Robinson from SciFi.com had a similar opinion on the anime, and added that the characters' personalities' allowed the plot to develop into a good variety of interesting stories. She also liked the historical setting as it makes all the situations seem authentic. Although Them Anime's Carlos Ross also liked the action scenes and storyline, he added that the number of childish and violent scenes make the show a bit unbalanced, saying it is not recommended for younger children.

The OVAs of the series have had several good reviews. In a review from Samurai X: Trust & Betrayal Mike Crandol from ANN noted it as one of the greatest OVA series of all-time, celebrating the new characters designs as well as the fights scenes which were also noted to be "terribly bloody" and beautiful at the same time. Although DVD Talk reviewer Don Houston mentioned the OVAs were very violent for teenagers, he found the story and music to be "solid". The director's cut version received positive comments by how the four OVAs were arranged with Houston commenting it "seems more like a movie that stands alone, rather than just the precursor to a long lasting series." However, Crandol later commented that fans from the manga may be disappointed when seeing Samurai X: Reflection since most of the fighting scenes have been deleted in the OVA. Another negative point was the number of out-of-character performances, with Kenshin's character being unable to laugh when in the manga he always used to. Nevertheless, the music and animation featured in the OVAs were highly praised again as one of the best ones from Japan.


My Review



Rurouni Kenshin - an amazing anime taking place during the Japan Revolution - is an amazing story first written by Nobuhiro Watsuki in 1994 and first aired as an anime in 1996. If you're one of the older anime fans, chances are that you probably have seen this anime already and give it the respect that it deserves. If you are one of the younger anime fans out there and haven't heard too much about Rurouni Kenshin (also known as Samurai X in other countries outside of the United States), I urge to immediately to get your hands on a copy of the anime somehow and start watching it, you won't be disappointed if you are into samurai.

The story is deep, intricate, emotional, and touching. Everything from romance, action, suspense, and even some thriller in included in Rurouni Kenshin. There are a total of 95 episodes to Rurouni Kenshin, however, only the first 62 (the first two seasons) are only worth watching because the third season is all fillers. The first two seaons depict the story of Himura Kenshin, also known as Hitokiri Battousai, and his motley bunch of friends in Sagara Sonouske, Myojin Yahiko, and Kamiya Kaoru. Without giving too much away, the first season is based on his stay with Kaoru Kamiya and how he keeps his vow of not to kill. The second season is where the plot develops and we are introduced to a little bit of Kenshin's past.

To some of the younger fans out there, the animation may seem a bit older and not as new as some of our recent anime like Death Note and Full Metal Alchemist, it still is drawn with very exceptional quality and after the first few episodes, you find that the style perfectly suits the time frame in which the story takes place.

Taku Iwasaki has done a beautiful job with the soundtrack to Rurouni Kenshin as during each and every part, there is the perfect song that fits the scene. This is especially the case during the second season as Iwasaki unveils a multitude of amazing pieces of music that you will undoubtedly look to download.

You will either hate the characters or love them. The character development during the anime is portrayed very well. An example of this is the development of Yahiko from an innocent child to an exceptional swordsman throughout the show. The only qualm people may have is the lack of romance between Kenshin and Kaoru. Though its hinted at very slightly during the first two seasons, there is not much between them. All of Kenshin's rivals also have unique personalities and Nobuhiro Watsuki has done an excellent job with them.

The only reason I advise you to avoid the episodes 63-95 is that they are pointless fillers. By the time the second arc had ended, the Kyoto arc, the anime had caught up to the manga. So as with all animes, they stopped animating the manga and aired fillers so the manga could develop. However, by the time the manga finished, the fillers were so terribly bad that Rurouni Kenshin had to be cancelled.

That is why after episode 62, I urge you to find the manga and start reading it from Volume 18 to enjoy the amazing story of Enishi and the Revenge Arc. It is there where the true story of Kenshin is continued and completed, and not with the later episodes.

Overall:
I rate episodes 1-62 a 10/10 because they follow the manga very well..
I rate episodes 63-95 a 6/10 because even though they are pointless, some of the fillers do have good back stories and battle scenes..

A final overall rating of a 9/10 is due to the anime, Rurouni Kenshin (the manga I would give a 10 ^_^). There is no doubt in my mind that if you are looking for an anime with a little bit of everything and looking for an anime that involves mystic sword styles, amazing battles and an "oro-ing red-headed samurai," look no further.




For OVA "Samurai X: Trust and Betrayal", this is a prequel to the anime series 'Rurouni Kenshin."

One word for this anime: Amazing! It's so good that it's hard to decribe. This is one of the only anime series that will make the viewer's jaw drop to the floor and be filled with emotion. Those who are Rurouni Kenshin fans will love it; those who are new to the series will still like it. It's a drama and may not be as interesting among younger viewers and is more mature than the anime. Those who are sensitive to extreme violence and blood may want to turn their heads during some scenes.

The first episode is a little jumpy as it skips from past to present, which to non-Kenshin fans may be confusing. Besides the jumpiness, the plot is excellent. For a drama, the pacing isn't thin and slow and is perfect for the setting. The story to Trust and Betrayal is far more enjoyable than regular series. (which is enjoyable to begin with) The characterisation is somewhat shown in the series, and could be developed further. One learns that Kenshin is turning into a merciless manslayer when he slices a man in half, killing for the first time, and shows no emotion after. However, the other character's personalities aren't as developed.

The artwork is realist compared to Nobuhiro Watsuki's original concept, but is artwork at it's finest. Those who aren't into realist artwork will still find this series interesting to watch. They used computer three-dimension graphics, mostly in the backgrounds, but still kept unto the traditional animation. For traditional animation, it's one of the best.

The music will make one go in awe with it's use of a fulll orchestra. It creates moods and themes that also make the viewer full of emotion. The music is a main factor in making this OVA unbelievable, but it was already magnificent to begin with.

They hired the best actors in both casts for this anime. The Japanese Kenshin voice (Mayo Suzukaze) is a little too girly for the role and the English Tomoe voice (Rebecca Davis) is too emotionless it sounds like she is reading the script. The voices have a different tone than the regular anime series, which is a nice change. The OVA voices are realistic and set the drama tone, while the anime has exaggerated voices that are too cartoony. Even the Kenshin voice is different, but it's hard to decide which voice is suited better. (J. Shannon Weaver in OVA, Richard Hayworth in anime) The Landlady had the best acting performance in the English dubbed, but the acting was still great. More emotion could be used in characters, but the voices matched the characters.

This OVA has to be the most underrated anime known in the anime world. It was never a "fad" or a trend as most popular series start out, which is somewhat sad because this anime deserves attention. (Although fads are always hated in the end which shouldn't happen to this OVA) Everything about the OVA is wonderful from the music to the artwork. Anyone involved with this OVA worked extremely hard in putting effort and it clearly shows. This OVA should be on every anime fan's shelve.



and for The Last arc of Rurouni Kenshin, Samurai X: Reflection.. it's all about the final days of a great man that is Kenshin. 

Everything has been decipted well in this OVA, from the stunning sceneries and up to the stunning orchestral score that it has. The story is delivered very well. It contains flashback of some of Kenshin's greatest battles and is remade or should I call it "Remastered", with a stunning animation. It also includes some scenes/events which you won't find in the manga. The OVA itself will give you a timeslip of what has happened to Kenshin through all of the years he has spent during his swordsman days.

If you have seen the TV Anime, Rurouni Kenshin. This OVA is highly recommended and should I say that you "must" also see the OVA masterpiece Rurouni Kenshin: Tsuioku Hen for these are the best OVA's of our time.


I really recommend you to watching this Anime.. ^^



External Links

Rurouni Kenshin [sic] (るろうに電信?) - Official Shueisha Rurouni Kenshin website (Japanese)
Official Sony Rurouni Kenshin website
(Japanese)
Rurouni Kenshin
(manga) at Anime News Network's Encyclopedia
Rurouni Kenshin
(anime) at Anime News Network's Encyclopedia




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